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D.H. Lawrence's "Tenderness"
https://miyazaki-mu.repo.nii.ac.jp/records/1104
https://miyazaki-mu.repo.nii.ac.jp/records/110429c4ac14-9593-4bc5-bbf9-5f081c34f9fb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
23(1)_006_Nakayama (212.3 kB)
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| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2016-07-11 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | D.H. Lawrence's "Tenderness" | |||||||||||||
| 言語 | en | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | eng | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | mechanism | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | materialism | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | idealism | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | will | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | warmth | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | tenderness | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| 記事種別(日) | ||||||||||||||
| ja | ||||||||||||||
| 論文 | ||||||||||||||
| 記事種別(英) | ||||||||||||||
| en | ||||||||||||||
| Article | ||||||||||||||
| 著者名(日) |
中山, 本文
× 中山, 本文
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| 著者所属(日) | ||||||||||||||
| ja | ||||||||||||||
| 宮崎公立大学人文学部 | ||||||||||||||
| 著者所属(英) | ||||||||||||||
| en | ||||||||||||||
| Miyazaki Municipal University Faculty of Humanities | ||||||||||||||
| 抄録(英) | ||||||||||||||
| 内容記述タイプ | Other | |||||||||||||
| 内容記述 | Probably it is at the writing of The Rainbow that Lawrence began to have more critical conception of mechanism, materialism, and idealism. Here exists the reason why he split The Wedding Ring into the two works: The Rainbow and Women in Love. The tragedies of Skrebensky, Gerald, and Clifford mirror the author's irritation against those living unconcernedly in society imbued with established mechanism. That is why we the reader sometimes have a stronger impression in existence from Gerald and Clifford rather than from Birkin and Mellors. Such restiveness of his led him to the creation of the so-called leardership novels: Aaron's Rod, Kangaroo, and The Plumed Serpent. Although his sense of helplessness was intensified against the serious situation under which our life is put, the visit to the Etruscan places inspired him to have a vision of life inherent in us human beings. The life portrayed on pots, urns, vases, or walls of the tombs were filled with vividness and life warmth. The research efforts here are directed to scrutinizing anew how pessimistically Lawrence looked upon the reality of society and tracing how "tenderness" is described through the characterization of Birkin, Mellors, and Connie. |
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| 言語 | en | |||||||||||||
| 雑誌書誌ID | ||||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||||
| 収録物識別子 | AN10457429 | |||||||||||||
| 書誌情報 |
ja : 宮崎公立大学人文学部紀要 en : Bulletin of Miyazaki Municipal University Faculty of Humanities 巻 23, 号 1, p. 35-52, 発行日 2016-03-11 |
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